{"id":310,"date":"2021-09-23T05:47:59","date_gmt":"2021-09-23T05:47:59","guid":{"rendered":"https:\/\/edumusique.ch\/wp\/?page_id=310"},"modified":"2025-05-12T16:07:52","modified_gmt":"2025-05-12T16:07:52","slug":"les-cordes-frottees","status":"publish","type":"page","link":"https:\/\/edumusique.ch\/?page_id=310","title":{"rendered":"Les cordes frott\u00e9es"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Introduction<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Lis attentivement et compl\u00e8te le document ci-dessous en visionnant le film \u00ab\u00a0De l&rsquo;arbre au violon\u00a0\u00bb<\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/edumusique.ch\/wp-content\/uploads\/2021\/09\/De-larbre-au-violon-\u2013-CPS-questionnaire.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Contenu embarqu\u00e9 De-larbre-au-violon-\u2013-CPS-questionnaire.\"><\/object><a href=\"https:\/\/edumusique.ch\/wp-content\/uploads\/2021\/09\/De-larbre-au-violon-\u2013-CPS-questionnaire.pdf\">De-larbre-au-violon-\u2013-CPS-questionnaire<\/a><a href=\"https:\/\/edumusique.ch\/wp-content\/uploads\/2021\/09\/De-larbre-au-violon-\u2013-CPS-questionnaire.pdf\" class=\"wp-block-file__button wp-element-button\" download>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Violon de Luthier : Fabrication de l\u2019arbre \u00e0 l&#039;instrument ! - C&#039;est pas sorcier [Int\u00e9grale]\" width=\"880\" height=\"660\" src=\"https:\/\/www.youtube.com\/embed\/tG93NNGDSqY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Le violon<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">C&rsquo;est peut-\u00eatre le plus populaire en Europe des instruments \u00e0 cordes frott\u00e9es. De petite taille, il poss\u00e8de un son aigu mais \u00e9galement des m\u00e9diums chaleureux. \u00c9norm\u00e9ment de compositeurs ont \u00e9crit pour cet instrument. Il fait partie de l&rsquo;ensemble des cordes frott\u00e9es, et est employ\u00e9 presque toujours dans les orchestres symphoniques pour sa sonorit\u00e9 homog\u00e8ne.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-prise-en-charge-des-contenus-embarqu-s wp-block-embed-prise-en-charge-des-contenus-embarqu-s wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Beethoven cadence concerto pour violon\/A. Soumm\" width=\"880\" height=\"495\" src=\"https:\/\/www.youtube.com\/embed\/D21OuBPhcl0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">L&rsquo;alto<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">L&rsquo;alto est tr\u00e8s proche du violon, mais il joue un peu plus bas car il est plus grand. Il poss\u00e8de les m\u00eames qualit\u00e9s que son petit confr\u00e8re. N\u00e9anmoins, le r\u00e9pertoire est moins vari\u00e9 car l&rsquo;alto poss\u00e8de un volume sonore moindre par rapport aux autres instruments de la famille (violon, violoncelle et contrebasse). Il se tient de la m\u00eame mani\u00e8re qu&rsquo;un violon.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-prise-en-charge-des-contenus-embarqu-s wp-block-embed-prise-en-charge-des-contenus-embarqu-s wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Dmitri Shostakovich - Viola Sonata - Maxim Rysanov\" width=\"880\" height=\"495\" src=\"https:\/\/www.youtube.com\/embed\/X1Ev33RzI0M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Le violoncelle<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Le violoncelle est, tout comme le violon et l&rsquo;alto un instrument tr\u00e8s pris\u00e9 dans l&rsquo;orchestre. Il fait partie du registre des cordes et a \u00e9galement un son tr\u00e8s homog\u00e8ne. Il existe un tr\u00e8s grand r\u00e9pertoire pour cet instrument fabuleux \u00e0 la sonorit\u00e9 si chaleureuse. Il peut exprimer une gamme d&rsquo;\u00e9motions presque infinie. Il jouit donc d&rsquo;un r\u00e9pertoire (nombre de pi\u00e8ces de musiques existant sp\u00e9cialement pour cet instrument) tr\u00e8s tr\u00e8s vari\u00e9.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-prise-en-charge-des-contenus-embarqu-s wp-block-embed-prise-en-charge-des-contenus-embarqu-s wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bach - Cello Suite No.1 i-Prelude\" width=\"880\" height=\"660\" src=\"https:\/\/www.youtube.com\/embed\/S6yuR8efotI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">La contrebasse<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">La contrebasse est le plus grave des instruments de l&rsquo;orchestre symphonique. Mais si cet instrument a eu \u00e9norm\u00e9ment de succ\u00e8s dans le monde la musique \u00ab\u00a0classique\u00a0\u00bb, il est ren\u00e9 dans celui du jazz. La contrebasse poss\u00e8de beaucoup de qualit\u00e9s musicales qui peuvent \u00eatre exploit\u00e9es pour donner une musique joyeuse. Voici d&rsquo;ailleurs une vid\u00e9o montrant une mani\u00e8re peu \u00ab\u00a0catholique\u00a0\u00bb de jouer de cet instrument, pour le plaisir des yeux et des oreilles.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-prise-en-charge-des-contenus-embarqu-s wp-block-embed-prise-en-charge-des-contenus-embarqu-s wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Andy McKee - Drifting - Upright Bass Cover by Adam Ben Ezra\" width=\"880\" height=\"495\" src=\"https:\/\/www.youtube.com\/embed\/K6EhC59pgWA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Le quatuor \u00e0 cordes<\/h3>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/edumusique.ch\/wp-content\/uploads\/2021\/09\/07_20String_20Quartet_20No__2014_20in_20D_20Minor_2C_20D__20810_20_Death_20and_20the_20Maiden___20II.mp3\"><\/audio><figcaption class=\"wp-element-caption\">F. Schubert Quatuor \u00e0 cordes No. 14 in D Minor, D. 810 _ Der Tod und das M\u00e4dchen II. Andante con moto<br>Interpr\u00e8tes: Quatuor Hagen (photo)<\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"255\" height=\"198\" src=\"https:\/\/edumusique.ch\/wp-content\/uploads\/2021\/09\/quatuor_20a_CC_80_20cordes_20Hagen.jpg\" alt=\"\" class=\"wp-image-1339\"\/><figcaption class=\"wp-element-caption\">2 violons, 1 alto, 1 violoncelle<\/figcaption><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading\">La vielle \u00e0 roue<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">La vielle \u00e0 roue appara\u00eet au Moyen \u00c2ge, d\u00e8s le IXe si\u00e8cle.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Deux cordes, appel\u00e9es chanterelles, passent par le clavier ; leur longueur de vibration est chang\u00e9e par l&rsquo;action des touches appel\u00e9es sautereaux.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les bourdons quant \u00e0 eux sont des cordes qui frottent en continu sur la roue et donne donc un son tenu (comme les bourdons de la cornemuse).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"490\" src=\"https:\/\/edumusique.ch\/wp-content\/uploads\/2021\/09\/32_20vielle_201996_12_1.jpg\" alt=\"\" class=\"wp-image-1138\" srcset=\"https:\/\/edumusique.ch\/wp-content\/uploads\/2021\/09\/32_20vielle_201996_12_1.jpg 800w, https:\/\/edumusique.ch\/wp-content\/uploads\/2021\/09\/32_20vielle_201996_12_1-300x184.jpg 300w, https:\/\/edumusique.ch\/wp-content\/uploads\/2021\/09\/32_20vielle_201996_12_1-768x470.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-prise-en-charge-des-contenus-embarqu-s wp-block-embed-prise-en-charge-des-contenus-embarqu-s wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Vielle \u00e0 roue solo ( hurdy gurdy) : &quot;mont\u00e9e des bois de Vaux&quot;(trad. Morvan)\" width=\"880\" height=\"660\" src=\"https:\/\/www.youtube.com\/embed\/yraFIAlgOUU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Introduction Lis attentivement et compl\u00e8te le document ci-dessous en visionnant le film \u00ab\u00a0De l&rsquo;arbre au violon\u00a0\u00bb Le violon C&rsquo;est peut-\u00eatre<\/p>\n<p><a href=\"https:\/\/edumusique.ch\/?page_id=310\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\">Les cordes frott\u00e9es<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-310","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/edumusique.ch\/index.php?rest_route=\/wp\/v2\/pages\/310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edumusique.ch\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/edumusique.ch\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/edumusique.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/edumusique.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=310"}],"version-history":[{"count":14,"href":"https:\/\/edumusique.ch\/index.php?rest_route=\/wp\/v2\/pages\/310\/revisions"}],"predecessor-version":[{"id":5854,"href":"https:\/\/edumusique.ch\/index.php?rest_route=\/wp\/v2\/pages\/310\/revisions\/5854"}],"wp:attachment":[{"href":"https:\/\/edumusique.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}